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ROBERT MOTHERWELL "FLAGS" LITHOGRAPH, 1989 Jim Dine 1970s Wesselmann was ambivalent if not

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ROBERT MOTHERWELL "FLAGS" LITHOGRAPH, 1989 Jim Dine 1970s Wesselmann was ambivalent if not Wesselmann was ambivalent if not critical of his association with Pop Art the National Galleries of Scotland His contributions to painting in the 20th century are matched only by his contributions to printmaking He was always searching for new techniques

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